What Hollywood knows about copywriting
A screenwriter and film professor put together some guidelines about about communication/messaging and I think it applies to copywriting and every other type of writing too.
Some salient bits from her post:
What follows here is an outline for a communications strategy based on a few oft-repeated Hollywood principles.
I. The “Big Idea” of Entertainment/Messaging
There is a fail-proof ancient Greek formula for getting and holding an audience’s attention. Every communication should have what Aristotle called: Logos, pathos, and ethos. That is, there needs to be something for the mind, something for the emotions, and finally, something for the imagination.
a) Something for the mind – some facts to learn; half of holding people’s attention is in feeding their instinctive desire to know; Every message needs to teach something that the audience can take away and integrate into their framework and conversations. A message is meant to be carried on the winds. Hence, the speaker needs to be focused on helping the hearers become teachers. Give them examples, power ideals and metaphors to share.
b) Something for the heart/emotions – a reason to care; Aristotle says that every effective drama either leads the audience to weep or to feel fear of evil. A message needs to be clear in its emotional tone – either sadness, or wonder, or fear or joy or terror. Then, the emotion can be heightened until the audience responds physically – with tears, or frowns or goose-bumps or laughter. The audience that is feeling these things will be attentive and fully engaged.
c) Something for the imagination – something to dream about; A good message ends by causing a beginning in the hearer. A good message is a launch in the hearer. The speaker does their work and then sends the hearer off to do theirs – to brood over the full implications of the message – to apply it to their own world – to begin to foment a plan as a response.
A few other helpful principles of communication are:
1) Production value matters. Things like working microphones, a well-lit and attractive set, good hair and make-up, costuming, etc. all matter. Attention must be given to these so that they complement the message as opposed from distracting from it.
2) Rehearse. No matter how well a speaker or writer knows a topic, every message opportunity should be thoroughly strategized, structured and rehearsed so that it looks effortless. This is a service to the audience, but also will allow the same basic message to be reframed according to the needs and situation of the hearers.
3) There is a definite hierarchy of elements in any piece of entertainment. Aristotle lists the hierarchy as: Plot first, then characters, then theme, then dialogue, then music and lastly, spectacle. When applying this to messaging, we can say that the story is the main thing. What is the story that this message needs to tell? Then, immediately move to characters – who will be affected by this? How? Then, give attention to theme – what is the overall ideological principle underlying this communication? Then, give attention to specific wording. Then, ask yourself, what is the icing on the cake of this message? What is the entertainment value for the hearers?
I especially like this:
II. The Two Key Rules of Hollywood/Messaging
The two biggest rules of Hollywood meetings, and also movies, are:
A) Don’t bore me.
B) Don’t waste my time
It is possible to construct the foundation of a whole communication strategy from these two rules.
I couldn’t agree more.
You can read the whole thing here.
Filed under: Email Copywriting


